![Harmony, its theory and practice . fore in reality a derivative (as we shall see pres-ently,) of the dominant eleventh below an inverted pedal. Thefourth and fifth inversions are also very seldom Harmony, its theory and practice . fore in reality a derivative (as we shall see pres-ently,) of the dominant eleventh below an inverted pedal. Thefourth and fifth inversions are also very seldom](https://c8.alamy.com/comp/2AWNKXW/harmony-its-theory-and-practice-fore-in-reality-a-derivative-as-we-shall-see-pres-ently-of-the-dominant-eleventh-below-an-inverted-pedal-thefourth-and-fifth-inversions-are-also-very-seldom-met-with-405-the-derivative-of-the-first-inversion-is-as-rare-as-the-in-version-itself-and-for-the-same-reasonthe-harshness-of-its-dis-sonance-we-quote-a-passage-in-which-this-very-harshness-isintroduced-for-a-special-dramatic-efiect-wagner-parsifal-ex-328-vii9vii-here-the-ninth-the-eleventh-from-the-generator-instead-ofrising-as-in-ex-325-falls-a-semitone-and-we-have-a-doubledlead-2AWNKXW.jpg)
Harmony, its theory and practice . fore in reality a derivative (as we shall see pres-ently,) of the dominant eleventh below an inverted pedal. Thefourth and fifth inversions are also very seldom
Chord Files - Let's connect the chords with the inner pedal point! 🎸 • OK, what is PEDAL POINT again❓🤔 👉 A pedal point is a tone, that is sustained over several
![Harmony simplified, a practical introduction to composition . ne of the other parts. Generally it is the dominant or tonictone that is so held. It is immaterial whether the pedal pointbe held throughout or constantly repeated, see Figure 151, a, and151, h. Rule 16 ... Harmony simplified, a practical introduction to composition . ne of the other parts. Generally it is the dominant or tonictone that is so held. It is immaterial whether the pedal pointbe held throughout or constantly repeated, see Figure 151, a, and151, h. Rule 16 ...](https://l450v.alamy.com/450v/2awg2nf/harmony-simplified-a-practical-introduction-to-composition-ne-of-the-other-parts-generally-it-is-the-dominant-or-tonictone-that-is-so-held-it-is-immaterial-whether-the-pedal-pointbe-held-throughout-or-constantly-repeated-see-figure-151-a-and151-h-rule-16the-beginning-and-the-end-of-the-pedal-point-mustbe-a-part-of-the-harmony-figure-151-h-it-would-require-too-much-space-to-quote-many-illustrationsof-pedal-point-but-the-student-may-refer-to-any-or-all-of-the-fol-lowing-heuer-slumber-song-from-op-81-the-repeated-ai-chopin-berceuse-in-which-the-low-d1-of-the-bass-held-by-2awg2nf.jpg)